Lois Lane

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Lois Lane is also referred to as “Clark Kent’s rival reporter at the Daily Planet” (Act No. 176, Jan 1953: “Muscles for Money”). Indeed, the rivalry between these “two famed reporters” (Act No. 58, Mar 1943: “The Face of Adonis!”) is a keen one. Lois, in particular, is fiercely, sometimes unscrupulously, competitive, resorting to such tactics as intercepting Kent’s telephone messages (S No. 14, Jan/Feb 1942; and others), sending him off on wild-goose chases (Act No. 5, Oct 1938; and others), and even seducing him into letting her accompany him on an interview and then slipping knockout drops into his drink so that she can cover the story alone(Act No.6, Nov 1935).  
 
Lois Lane is also referred to as “Clark Kent’s rival reporter at the Daily Planet” (Act No. 176, Jan 1953: “Muscles for Money”). Indeed, the rivalry between these “two famed reporters” (Act No. 58, Mar 1943: “The Face of Adonis!”) is a keen one. Lois, in particular, is fiercely, sometimes unscrupulously, competitive, resorting to such tactics as intercepting Kent’s telephone messages (S No. 14, Jan/Feb 1942; and others), sending him off on wild-goose chases (Act No. 5, Oct 1938; and others), and even seducing him into letting her accompany him on an interview and then slipping knockout drops into his drink so that she can cover the story alone(Act No.6, Nov 1935).  
  
Although, particularly after 1940, Lois Lane and Clark Kent develop a friendly working relationship and frequently cover news assignments together, their reportorial rivalry has remained a heated one for four full decades and continues to constitute one of the major themes of the chronicles. The texts which of them can publish a particular story first is just as invariably determined by whether Superman decides to give Lois Lane an exclusive account or to write it up himself as reporter Clark Kent. (TGSB)
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Although, particularly after 1940, Lois Lane and Clark Kent develop a friendly working relationship and frequently cover news assignments together, their reportorial rivalry has remained a heated one for four full decades and continues to constitute one of the major themes of the chronicles. The texts repeatedly refer to them as the Daily Planet’s “best reporters” (S No. 44/1, Jan/Feb 1947: “Playthings of Peril!”), its “star reporters” (S No. 27/1, Mar/Apr 1944:
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"The Palace of Perilous Play!”; and others), and as the “two best-known reporters” in Metropolis (WF No. 23, Jan/Aug 1946: “The Colossus of Metropolis!”).
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In the largest sense, however, the Lane-Kent reportorial rivalry is a sham, for the headline stories for which they compete so assiduously are invariably stories about Superman, and the outcome of the contest to see which of them can publish a particular story first is just as invariably determined by whether Superman decides to give Lois Lane an exclusive account or to write it up himself as reporter Clark Kent. (TGSB)
  
 
Nevertheless, “newspaper reporting is [Lane’s] first love” (S No. 58/2, May/Jun 1949: “Lois Lane Loves Clark Kent!”), and she is capable of “running any risk to get a scoop story (WF No. 84, May/Jun 1953: “The Death of Lois Lane”). “… I guess I’ve got printer’s ink in my veins,” muses Lois in November-December 1946 (“Lois Lane, Actress!”).
 
Nevertheless, “newspaper reporting is [Lane’s] first love” (S No. 58/2, May/Jun 1949: “Lois Lane Loves Clark Kent!”), and she is capable of “running any risk to get a scoop story (WF No. 84, May/Jun 1953: “The Death of Lois Lane”). “… I guess I’ve got printer’s ink in my veins,” muses Lois in November-December 1946 (“Lois Lane, Actress!”).

Revision as of 23:18, 10 June 2006

Lois lane.jpg
Lois Lane by Joe Shuster


Superman's Girl Friend, Lois Lane.

The persistent, curious, impulsive, intelligent, headstrong, audacious, hard-working, ambitious, lovely woman reporter for the Metropolis Daily Planet who is, second only to Superman himself, the single most important person in the chronicled adventures of Superman, fulfilling as she does the tripartite role of Clark Kent's journalistic colleague, Superman's romantic pursuer, and the person most tirelessly determined to verify her long-held suspicion that Clark Kent is secretly Superman. Lois Lane appears in the chronicles more often than any other character except Superman, and is the only supporting character to have appeared in the chronicles since their inception in June 1938 (Act No. 1).

Lois Lane, the daughter of Sam and Ella Lane (SF No. 172, Aug/Sep 1975), was born on her parents' farm, near the U.S. town of Pittsdale (SGLL No. 68, Sep/Oct 1966). The month when she was born is impossible to determine, for her birthday is celebrated in the chronicles in September-October (WF No. 36, Sep/Oct 1948: "Lois Lane, Sleeping Beauty"), in November-December (S No. 37/2, Nov/Dec 1945: "Pranks for Profit!"), and in December (Act No. 139, Dec 1949: "Clark Kent...Daredevil!").

Lois appears to have had two sisters: a younger sister, Lucy Lane (Act No. 272, Jan 1961: "Superman's Rival, Mental Man!"; and others), and a second sister, whose first name is never given, who married a man named Tompkins and gave birth to a daughter, Susie Tompkins (Act No. 59, Apr 1943: "Cinderella --a la Superman!"; see also Act No. 98, Jul 1946: "Starring Susie!"), who is Lois Lane's niece. Some historians relegate the appearances of Susie Topkins to the Earth-2 continuity (See Lois Lane of Earth-2). The Earth-1 Lois Lane has a cousin named Louis Lane who resides in Pittsdale (S No. 349, Jul 1980: "The Turnabout Trap").

Lois attended school in Pittsdale (SGLL No. 68, Sep/Oct 1966). Her closest friend in high school was a girl named Helen, who later became the wife of Bill Minton (WF No. 21, Mar/Apr 1946: "The Plane of Tomorrow!"). Lois's high-school beau was Finney Floor (S No. 66/3, Sep/Oct 1950: "The Machine that Played Cupid!").

After high school, Lois attended Raleigh College, not far from Metropolis, where she exhibited a keen aptitude for science (S No. 181/1, Nov 1965: ptsI-II --"The Super-Scoops of Morna Vine!"; "The Secret of the New Supergirl!"), honed her fledgling journalism skills on the Raleigh Review (SGLL No. 68, Sep/Oct 1966), and displayed a sufficient artistic talent to acquire a reputation as the "class artist" (Act No. 272, Jan 1961: "Superman's Rival, Mental Man!"). Lois's school-mate Brett Rand had a crush on her during this period, but there is no indication that she ever reciprocated his affections (S No. 139/1, Aug 1960: "The New Life of Super-Merman!").

After graduation (S No. 181/1, Nov 1965: pts. I-II --"The Super-Scoops of Morna Vine"; "The Secret of the New Supergirl!"), Lois set out for Metropolis, determined to fulfill her "lifelong ambition" to become "the best reporter in Metropolis" (Act No. 202, Mar 1955: "Lois Lane's X-Ray Vision!"). She may have taken "a course in nursing" during this period (Act No. 191, Apr 1954: "Calling Doctor Superman!") or served a stint as a waitress at Harry's Dog House (WF No. 47, Aug/Sep 1950: "The Girl Who Hated Reporters!"). Eventually, however, she obtained employment on the Daily Star (Act No. 1, Jun 1938; and others), followed by employment on its successor in the chronicles, the Daily Planet (S No. 4/1-4, Spr 1940; Act No. 23, Apr 1940; and others).

Lois1972.jpg

Lois Lane is “the Daily Planet’s star woman reporter” (WF No. 47, Aug/Sep 1950: “The Girl Who Hated Reporters!”), ranking alongside Clark Kent in the Daily Planet’s reportorial hierarchy. Described as the newspaper’s “sob sister” (S No.7/1, Nov Dec 1940; and others) and as its lovelorn columnist (Act No. 44, Jan 1942; and others) in many early texts, Lois Lane has risen through the journalistic ranks to become one of the Daily Planet’s “star reporters” (S No.27/1, Mar/Apr 1941; “The Palace of Perilous Play!”; and others) and, with Clark Kent, one of the newspaper’s “two brightest satellites” (S No. 26/2, Jan/Feb 1944: “Comedians’ Holiday!”). Particularly adept at covering local news (S No. 44/3, Jan/Feb 1947: “Shakespeare’s Ghost Writer!”), she has performed the full range of journalistic duties, including stints as wan correspondent (Act No. 23, Apr 1940); weather editor, described as “one of the lowliest jobs on any newspaper” (WF No. 25, Nov 1946: "Mad Weather in Metropolis!” see also WF No. 51, Apr/May: “The Amazing Talents of Lois Lane!”); question and answer editor and head of the lost and found department (WF No.51, Apr/May 1951: “The Amazing Talents of Lois Lane!”); editor of the Daily Planet’s Paris edition (Act No. 203, Apr’55: “The International Daily Planet staff cartoonist (Act No. 72, Jan 1961: “Superman’s Rival, Mental Man!”); and “acting editor” in the absence of editor Perry White (S No.1 124/1, Sep 1958: “The Super-Sword!).

The texts describe Lois Lane as a “courageous girl reporter” (Act No. 27, Aug 1940), a “glamorous girl reporter” (S No. 34 2, May/Jun 1945: “The Canyon That Went Berserk!”), “a competent reporter who’s always on the job” (S No. 61/2, Nov/Dec 1949: “The Courtship of the Three Lois Lanes!”), “one of Metropolis’s smartest reporters” (S No. 68/2, Jan/Feb 1951: “Lois Lane’s Royal Romance!”), the “star girl reporter for the Daily Planet” (Act No. 172, Sep 1952: “Lois Lane…Witch!”), the “audacious girl reporter of the Daily Planet” (Act No. 189, Feb 1954: “Clark Kent’s New Mother and Father!”), “the prettiest girl reporter in Metropolis” (Act No. 195, Aug 1954: “Lois Lane Wanted!”), a “well-known newspaperwoman” (S No. 109 Nov 1956: “The Puppet with X-Ray Eyes”), and a “famous reporter” (Act No. 225, Feb 1957: “The Death of Superman”).

Lois Lane is also referred to as “Clark Kent’s rival reporter at the Daily Planet” (Act No. 176, Jan 1953: “Muscles for Money”). Indeed, the rivalry between these “two famed reporters” (Act No. 58, Mar 1943: “The Face of Adonis!”) is a keen one. Lois, in particular, is fiercely, sometimes unscrupulously, competitive, resorting to such tactics as intercepting Kent’s telephone messages (S No. 14, Jan/Feb 1942; and others), sending him off on wild-goose chases (Act No. 5, Oct 1938; and others), and even seducing him into letting her accompany him on an interview and then slipping knockout drops into his drink so that she can cover the story alone(Act No.6, Nov 1935).

Although, particularly after 1940, Lois Lane and Clark Kent develop a friendly working relationship and frequently cover news assignments together, their reportorial rivalry has remained a heated one for four full decades and continues to constitute one of the major themes of the chronicles. The texts repeatedly refer to them as the Daily Planet’s “best reporters” (S No. 44/1, Jan/Feb 1947: “Playthings of Peril!”), its “star reporters” (S No. 27/1, Mar/Apr 1944: "The Palace of Perilous Play!”; and others), and as the “two best-known reporters” in Metropolis (WF No. 23, Jan/Aug 1946: “The Colossus of Metropolis!”).

In the largest sense, however, the Lane-Kent reportorial rivalry is a sham, for the headline stories for which they compete so assiduously are invariably stories about Superman, and the outcome of the contest to see which of them can publish a particular story first is just as invariably determined by whether Superman decides to give Lois Lane an exclusive account or to write it up himself as reporter Clark Kent. (TGSB)

Nevertheless, “newspaper reporting is [Lane’s] first love” (S No. 58/2, May/Jun 1949: “Lois Lane Loves Clark Kent!”), and she is capable of “running any risk to get a scoop story (WF No. 84, May/Jun 1953: “The Death of Lois Lane”). “… I guess I’ve got printer’s ink in my veins,” muses Lois in November-December 1946 (“Lois Lane, Actress!”).


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